Media Summary: The camera tracks the position of the face and maps two images on screen to give a faux 3D effect. This was created using ... Now instead of using TouchOSC, I tried on Max for live mapper and Massive Synth Cutoff and resonance controlled with my mouth.

Faceosc And Processing - Detailed Analysis & Overview

The camera tracks the position of the face and maps two images on screen to give a faux 3D effect. This was created using ... Now instead of using TouchOSC, I tried on Max for live mapper and Massive Synth Cutoff and resonance controlled with my mouth. Drive the color by your facial expression, normal for blue, smile for pink, anger for red and surprise for organge. Together with Franziska ( we've built upon Kyle McDonald's Okay the next step in this tutorial is to go to the file that you just downloaded unzip it and open the

Shooting Stars with Processing and FaceOSC Assignment for week 18 of MA in Computational Art @ Goldsmiths University. Using One diamond tracks how far away the face is, the other tracks how close the face is, and the third tracks the size of the mouth.

Photo Gallery

Face Tacking for Faux 3D Using Processing and FaceOSC
Face Tacking for Faux 3D Using Processing and FaceOSC II
BLENDERSUSHI / AN Face Robot using FaceOSC
FaceOSC + FaceOSC Mapper
Face OSC into Processing
faceosc and processing
faceosc pure data
FACE OSC and PROCESSING Test1
FaceOSC Demonstration
Turning my face into a drum with Max and FaceOSC
FaceOSC x Arduino x Processing x Servo
FaceOSC + Max for Live + Ableton Live - Test #01
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Face Tacking for Faux 3D Using Processing and FaceOSC

Face Tacking for Faux 3D Using Processing and FaceOSC

The camera tracks the position of the face and maps two images on screen to give a faux 3D effect. This was created using ...

Face Tacking for Faux 3D Using Processing and FaceOSC II

Face Tacking for Faux 3D Using Processing and FaceOSC II

The camera tracks the position of the face and maps two images on screen to give a faux 3D effect. This was created using ...

Sponsored
BLENDERSUSHI / AN Face Robot using FaceOSC

BLENDERSUSHI / AN Face Robot using FaceOSC

Now instead of using TouchOSC, I tried on

FaceOSC + FaceOSC Mapper

FaceOSC + FaceOSC Mapper

Max for live mapper and Massive Synth Cutoff and resonance controlled with my mouth.

Face OSC into Processing

Face OSC into Processing

Got the in class example working!

Sponsored
faceosc and processing

faceosc and processing

faceosc and processing

faceosc pure data

faceosc pure data

this is an experiment of connecting

FACE OSC and PROCESSING Test1

FACE OSC and PROCESSING Test1

Drive the color by your facial expression, normal for blue, smile for pink, anger for red and surprise for organge.

FaceOSC Demonstration

FaceOSC Demonstration

FaceOSC Demonstration

Turning my face into a drum with Max and FaceOSC

Turning my face into a drum with Max and FaceOSC

FaceOSC

FaceOSC x Arduino x Processing x Servo

FaceOSC x Arduino x Processing x Servo

Together with Franziska (http://www.huebler.cc) we've built upon Kyle McDonald's

FaceOSC + Max for Live + Ableton Live - Test #01

FaceOSC + Max for Live + Ableton Live - Test #01

Testing

FaceOSC - Spongebob Style

FaceOSC - Spongebob Style

It uses OSC and

FaceOSC test

FaceOSC test

FaceOSC test

BSP123 EMSTUT 11 2 Open FaceOSC

BSP123 EMSTUT 11 2 Open FaceOSC

Okay the next step in this tutorial is to go to the file that you just downloaded unzip it and open the

Shooting Stars with Processing and FaceOSC

Shooting Stars with Processing and FaceOSC

Shooting Stars with Processing and FaceOSC

FaceOSC 3D Scene

FaceOSC 3D Scene

I use

Openframeworks face tracking with FaceOSC and ofxOSC

Openframeworks face tracking with FaceOSC and ofxOSC

Assignment for week 18 of MA in Computational Art @ Goldsmiths University. Using

face osc processing

face osc processing

One diamond tracks how far away the face is, the other tracks how close the face is, and the third tracks the size of the mouth.

LIVENODING 754 / ANSV Face OSC Raw Data

LIVENODING 754 / ANSV Face OSC Raw Data

In this episode, back to

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